Night Shift é um espaço onde pensamentos e sensações transformam-se em sons

Night Shift is a place and time where thoughts, colors and emotions are shared through sounds.  Music is universal and using that universal language we aim to transmit feelings and experiences that words, images and smells alone cannot.

Night Shift is the constant search of new sounds, tools and methods of creating and composing music. Working alongside artists, authors, producers and companies, our goal is to find new ways of delivering an idea or message. We live for these challenges and strive on making every time something new, original and innovative.

Please take a time to check our services and portfolio, or contact us if you have any question you wish to make.

Night Shift

 

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Queremos dar à sua ideia o melhor suporte sonoro

Sorry, this entry is only available in Português.

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Um som, ritmo ou melodia enriquece qualquer momento ou experiência

Sounds should be everywhere! We seek challenges in new ways where music and melody can enhance an experience, whether being a movie soundtrack, commercial add, dance performance, video games or a simple PowerPoint presentation.

We compose music for:

  • Cinema – movies, short film, documentary and trailers
  • Television and Radio- Series, soaps, cartoons and live broadcasts
  • Live performances -  theatre, musicals, dance shows
  • Multimedia – Video games, web design, podcasts, video content
  • Marketing – Commercials, add campaigns, jingles
  • Music Therapy

If you need music for a project or product that is not listed above, please take the time to contact us. This list is just a generalization of what are limitless possibilities where sounds could and should be used.

All our music is original. Although you can find a universe of music banks in online archives, we believe that every project is unique in its purpose and message and therefore needs a singular sound expression. We aim to enhance the original idea with every note, beat and melody.

Take a look at some of our work here.

 

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